THE BEYOND ist ein packender, intelligenter Sci-Fi-Thriller mit Jane Perry („World War Z“, „Ein Hologramm für den König“), Nigel Barber. Jenseits des Sichtbaren - Hilma af Klint (). backup & beyond ” “backup & beyond ” is based on the former backup_festival, founded by students of the Bauhaus-University in Weimar, Germany.
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The Beyond ein Film von Hasraf Dulull mit Nigel Barber, Jane Perry. Inhaltsangabe: ereignet sich im Weltraum eine Anomalie, die viel Aufmerksamkeit. The Beyond. ()IMDb h 31minX-Ray13+. Astronauts out of 5 stars Enttäuschend. Reviewed in Germany on July 13, Verified Purchase. THE BEYOND ist ein packender, intelligenter Sci-Fi-Thriller mit Jane Perry („World War Z“, „Ein Hologramm für den König“), Nigel Barber. Set in , The Beyond chronicles the groundbreaking mission which sent astronauts - modified with advanced robotics, through a newly discovered wormhole. Studio Hamburg Enterprises veröffentlicht THE BEYOND am auf DVD und Blu-ray. Inhalt Kurz nachdem ein mysteriöses Wurmloch. Astronomen entdecken im Jahr unweit der Erde eine Verzerrung im Raum-Zeit-Gefüge. Es ist ein Loch im All, das Materie aufsaugt und. backup & beyond ” “backup & beyond ” is based on the former backup_festival, founded by students of the Bauhaus-University in Weimar, Germany.
Set in , The Beyond chronicles the groundbreaking mission which sent astronauts - modified with advanced robotics, through a newly discovered wormhole. THE BEYOND ist ein packender, intelligenter Sci-Fi-Thriller mit Jane Perry („World War Z“, „Ein Hologramm für den König“), Nigel Barber. Michael Hasenstab, Ph.D. | Juli 05, Links bringen Sie möglicherweise direkt oder über neue Browserfenster zu Websites/Medien Dritter.
The Beyond 2019 Neelay Patel VideoDEORRO LIVE AT BEYOND WONDERLAND 2019
The Beyond 2019 - Inhaltsangabe & DetailsEr warnt auch davor, dass das nächste Jahrzehnt für Investoren nicht wie das letzte sein wird. Hasraf Dulull. Seitenverhältnis. What is it with the British need to preach? An astronaut is missing, presumed dead, and the only image and audio of the incident in which he went missing only shows large spurs of bright light and lots of distortion. Er erläutert, warum er denkt, dass viele Anleger heute zu selbstgefällig sind, was bei einigen zu einer "gefährlichen" Risikobereitschaft führt. Adam Batchelor. Discussions with filmmakers, designers, media Misery Imdb, theorists, musicians and producers, art installations, great food, and a spectacular afterparty will Billy Elliot I Will Dance out the mix. I permit backup to use various clips for PR-purposes. Die in diesem Material enthaltenen Informationen haben den Stand des Veröffentlichungstages und können sich ohne weitere Benachrichtigung ändern. Stephen H. Hasraf Dulull is fucking Who I Am Film places. Indeed director and writer Hasraf Dulull is a fellow to follow. Amazon Renewed Like-new products you can trust. Upload Photo Remove Cover Photo. Die einzige Chance auf Antworten? Major events are explained to the audience by talking Die Unsichtbaren Kino interviews… like how a documentary might do it…. Why PG then?
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The Beyond. Summary: Set in , The Beyond chronicles the groundbreaking mission which sent astronauts - modified with advanced robotics, through a newly discovered wormhole known as the Void.
When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.
Director: Hasraf Dulull. Genre s : Sci-Fi , Horror , Documentary. Rating: TV Runtime: min. See All Details and Credits.
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Alternate Versions. Rate This. After observing an anomaly in space, scientists transplant human brains in to synthetic bodies and send them through the wormhole.
Scott Glassgold Executive Producer. Craig Cohon Executive Producer. Stuart Ashton Executive Producer. Adam Batchelor Cinematographer.
Sep 04, Making a movie that's thematically and tonally ambitious is a difficult thing to do, because I've tried many times and failed miserably.
In all seriousness though, I always like to tip my hat toward movies that attempt something different or, at the very least, attempt take narrative risks that, while they may not necessarily pay off, are indicative of actual effort than, say, doing what is easy and the logistics of which requires less work to figure out.
The Beyond is one of those movies that I have to tip my hat to for being incredibly ambitious and risky. For those of you who have no idea what this movie is about or what genre it fits into.
Well, see, the latter is not so easy to define. Because, yes, the movie definitely falls into the science fiction territory. But it's not a normal sci-fi movie.
It's science fiction with an emphasis on science. For, you see, the movie is shot like a documentary focusing on this space agency called, creatively enough, the Space Agency trying to figure out what this wormhole that has appeared over earth may mean and what the purpose of these black spheres that have appeared in the sky all over they world may entail.
The film is like something you might see on a science channel, like a documentary on the Higgs boson or something.
There's interviews with people high up in the space agency and the movie, essentially, is their attempts to send these robotically-enhanced astronauts through the wormhole to find out what's on the other side.
This brings up ethical debates based on the fact that, originally, they wanted to send humans through the wormhole.
This would fuck the humans up, so an alternative was proposed by someone in the military. So, essentially, transhumanism is in an advanced state in this movie.
Long-story short, they've developed this Human 2. This part of the movie takes up a lot of the movie, since the first person picked for this ended up dying when the brain rejected the fusion, causing it to overload, essentially.
So far, so good, right? Well, sadly, while I've got to give the movie props for its big ideas and effective usage of its documentary style, this really isn't the most exciting or enticing movie to watch all things considered.
I could say that, quite frankly, this really is kind of a boring movie. It moves way too slowly for my liking and I'm someone that has a lot of patience.
This movie doesn't have to be this way since Arrival is thematically similar, almost obscenely so, in that the humans in that movie are trying to find a way to communicate with the aliens in order to perceive whether they are friend or foe.
The black spheres hovering above earth have a close eye kept on them by every nation's military, as is to be expected, for this very reason.
Regardless, Arrival focused on a linguistics expert trying to figure out the alien's language in order to communicate with them. That, in and of itself, sounds boring to some people but, in my honest opinion, Arrival was anything but.
Arrival was an excellent movie that gripped and compelled you from the very start. In comparison, however, while I was intrigued, the only reason I stuck with this is to give it a shot.
It's a small, independent film shot on a modest budget and it did quite a lot, stylistically speaking, in spite of its budgetary limitations and that's probably the most impressive thing about this movie.
But, at the same time, I wanted to see the film through to its end so I could give my honest opinion on it, not because I was enthralled by what I was seeing.
They spend close to hour talking and talking and talking and talking and talking before they even get close to the point of sending the synthetics through the wormhole.
Yes, Hasraf Dulull writer and director says he wanted to combine realism with sci-fi. This is all well and good but, and this is something I've always believed for video games, and that is that realism is overrated.
If your video game isn't fun to play, what does it matter that it's realistic??? The game sucks. Those same principles don't necessarily apply to this movie, because I thought this was still a decent and well-made movie, but realism means nothing in this movie if you don't use it to create a compelling story.
And, perhaps, this might be compelling to some, but I can guarantee you that those people did not watch Arrival. Having said that, of course, given that this is shot like a documentary with unknown actors, it lends more to the believability but, again, does that really matter when the movie ends up being immensely boring and uninteresting in spite of its lofty ambitions.
No, no it doesn't. I will say that when everything starts becoming clear and the black spheres' true purpose is known, that the movie does get a little better.
But, to me, it's too little too late by this point. The problem is that, to me, the realistic approach meant that you never really made any sort of connection with any of the characters, even when some of them are faced with some decisions that will irrevocably change their lives.
There's some of that early on, when they find their first candidate to transplant his brain onto the synthetic body. But, of course, he dies.
He was the only character that I came close to remotely caring about and he was killed off relatively early in the film. The problem with this realistic stylistic approach is the fact that all of these people are more talking heads in behalf of the space agency than real fleshed out characters, so you're not really that invested in them.
There's no depth to them. The acting is good, I can't complain about that, but the problem never lied with the acting, it lies with the characterization.
Yes, the style did allow the director to make a sci-fi movie on a small budget, but its budgetary limitations had more of an effect on stuff the budget normally wouldn't normally affect.
In a more straightforward movie, one that's not meant to be a documentary, you have to put far more effort into your characters in order for them to resonate with the audience.
With this style, you don't really have to do that and it shows, because no real effort was put into making sure the characters were nothing more than talking heads.